Cléopâtre de la Main parmi les ruines de l'identité du papier mâché : les identités perverses dans Hosanna de Michel Tremblay
| Autoři | |
|---|---|
| Rok publikování | 2015 |
| Druh | Kapitola v knize |
| Fakulta / Pracoviště MU | |
| Citace | |
| Přiložené soubory | |
| Popis | Hosanna is the joyful manifesto linked with the arrival of Jesus Christ to Jerusalem, hosanna is the feature of the subversion in the case of the Tremblay's play: first it is blasphemy, later it becomes tragical proclamation about the identity as an ontological drama. Thus our text tries to reconstruct the formation and structure of false identitary costume through various Christian topos and ontology of Merleau-Ponty. This false costume conceals the life uncertainties and it creates the illusion of the desired existence and it presents the rules of heterotopia, theatre universe of impressions which really is Tremblay's La Main. |
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