doc. PhDr. Tomáš Pospíšil, Ph.D.

vice-dean for international relations Faculty of Arts
head – Center for North American Studies


office: bud. G/G304
Gorkého 57/7
602 00 Brno

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CV

Curriculum vitae

Person Identification
  • Tomáš Pospíšil
Workplace
  • Department of English and American Studies,
    Faculty of Arts, Masaryk University Brno, 602 00, Brno, Arne Nováka 1, Czech Republic
Employment Position
  • Associate Professor
Education and Academic Qualifications
  • -2007 Associate Professor, Palacký University, Olomouc, Habilitationschrift: African American Representation in American Culture and Film
  • -1996 Ph.D. at Palacký University, Olomouc, Disertation: The Progressive Era in American Historical Fiction: John Dos Passos' 42nd Parallel & E.L. Doctorow's Ragtime.
  • -1986 PhDr. Masaryk University Brno
  • -1984 Graduation from Masaryk University, English and German
Employment Summary
  • 1989 - present: Department of English and American Studies, Faculty of Arts, Masaryk University Brno, Czech Republic
  • 2008 - 2010: Department of English, Technical University Liberec
  • 1985 - 1989 Teacher of English and German, Department of Foreign languages, Masaryk University
  • 1984 - 1985 Research Fellow, Department of Foreign languages, Brno Agricultural University
Pedagogical Activities
  • Survey courses of American literature, an introductory course to American studies, American independent film, African-Americans in American film, Canadian film, American science fiction film, history of the 1960s in the United States
  • Instive course at Regensburg University: Blackness, Multiculturalism and the American Screen, June 24 - July 5, 2013.
  • International Summer School CSAS (Graz University) Under Deconstruction: How American are the Americas? (July 13 - 27th, 2008) Seggau Castle, Austria
  • Socrates IP Program at Potsdam University: Putting a Human Face on Divesity: The US in/of Europe, 2006 project No. 28286, August 2006
  • Intensive course at Regensburg University (African American Screen Image), June 20 - July 6th, 2003
  • Intensive course at Magdeburg University (The Good Old Plantation and After) February 2002
Scientific and Research Activities
  • African-Americans in American Film, American Independent Film, Canadian Film, the American 1960s
  • Grant 2006-2008: Diversity and Unity in Canadian Literature. The nature and uses of identity in Canadian literary culture and the arts. Grant Agency of the Czech Republic, Grant number: 405/06/0096
Akademické stáže, studijní nebo pracovní pobyty
  • - 2010 Faculty Research Program in Canadian Studies, University of British Columbia, Vancouver, September 2010.
  • -2007 Grant Diversity and Unity in Canadian Literature. The nature and uses of identity in Canadian literary culture and the arts. Grant Agency of the Czech Republic, Grant number: 405/06/0096, University of British Columbia, Vancouver, September 2007
  • -2006 Faculty Research Program in Canadian Studies, University of Toronto, September 2006
  • -2003 Faculty Enrichment Program in Canadian Studies, University of Toronto
  • -1999 Fulbright Visiting Scholar, University of Southern California, Los Angeles
  • -1998 Salzburg Seminar, Austria. From Melting Pot to Mosaic. The Changing Role of Immigration in American Life, October 1998
  • -1997 American studies seminar The American Experience, The Newschool for Social Research, NYC
  • -1996 Grant of the Austrian Institute for Southern and Eastern Europe, University of Vienna
  • -1993-1994 Research Fellow at University of California, Santa Cruz (American Council of Learned Societies)
  • 2010/08/26 – 2010/09/21: University of British Columbia, CAN
    • Stipendium Faculty Research Program in Canadian Studies
  • 2010/05/23 – 2010/05/28: University of Ljubljana, Ljubljana, SVN
    • Výukový pobyt Erasmus
  • 2011/09/18 – 2011/09/24: University of Joensuu, Joensuu, LLP Erasmus, FIN
    • Výukový program Erasmus
  • 2012/03/29 – 2012/04/04: Ege University, Izmir, TUR
    • Konference EAAS
  • 2012/11/15 – 2012/11/19: Salzburg Global Seminar, Salzburg, AUT
    • Účast na sympóziu SSASA Screening America: Film and Television in the 21st Century.
  • 2013/04/22 – 2013/04/27: University of Tartu, Tartu, EST
    • Výukový pobyt Erasmus
  • 2013/10/09 – 2013/10/12: LMU München, München, DEU
    • Aktivní účast na mezinárodní konferenci American Media - European Cultures, Negotiations of Transnational Exchange
  • 2013/06/23 – 2013/07/06: University of Regensburg, Regensburg, DEU
    • Výuka intenzivního kurzu Blackness, Multiculturalism and the American Screen.
  • 2015/11/17 – 2015/11/29: National Chengchi University, National Taiwan Normal University, Soochow University, National Chi-nan Univesity, Taipei, Puli, MU Faculty Partner Institutions Exchange Programme, TWN
    • Návštěvy na univerzitách, prezentace FF a MU, přednášky, náštěva na českém zastupitelském úřadě, propagace letní školy FF.
    • 2245
University Activities
  • Editorial Board of Brno Studies in English
  • Doctoral Studies Commission, Literatures in English, Faculty of Arts, Masaryk University
  • Vice-dean, international relations
  • Representative of the Faculty of Arts in the Council of the Institutions of Higher Learning, Czech Republic (Rada vysokých škol)
Extrauniversity Activities
  • Membership in: CASAAS - Czech and Slovak Association for American Studies
  • EAAS - European Association for American Studies
  • IASA - International American Studies Association
  • CEACS - Central European Association of Canadian Studies
  • Editorial Board of Moravian Journal of Literature and Film
  • Editorial Board of Ostrava Journal of English Philology
  • Doctoral Studies Board in English and American Literature, Faculty of Arts, Palacký University
Selected Lectures and Conference Participation
  • "Trauma Made in Hollywood": The Representation of Trauma and Healing in Selected Hollywood Films. Seminaire Eribia, Caen University, April 7, 2014
  • "And Justice for All: The Representation of American Law and Justice in American Film", workshop at the EAAS Conference America: Justice, Conflict, War, April 3-6, 2014, The Hague, the Netherlands
  • "And All the Pieces Matter": HBO's The Wire and the Complexity of Representation, Regensburg University, July 4, 2013
  • "You Have to Believe This, Simon, Your Father Was a Killer": History, Diversity and Identity in Atom Eoyan’s Recent Works, CEACS conference Democracy, Diversity, Dignity – The Canadian Space, Bratislava October 12.-14. 2012
  • Technological Intimacy: A Look at Canadian Feature Film, SERCIA conference Cinema of Intimacy and/or the Intimacy of Cinema, Universite de Bourgogne, Dijon, September 5, 2012.
  • As Crippled as it Gets: Dalton Trumbo's Johny Got His Gun and the Transformations of American Society, EAAS Conference Health of the Nation, Ege University Izmir, March 31, 2012.
  • Blackness in the New Millenium. Ostrava University, November 30, 2011.
  • The American Myths and/in the Western. University of Eastern Finland, September 19, 2011
  • Ragtime: Doctorow's Novel and Forman's Film Adaptation. University of Ljubljana, May 24, 2010.
  • Otto, Eliot and Aliens. EAAS Conference 'Forever Young'? The Changing images of America, 26.-29. 3. 2010, Dublin, Ireland.
  • Goin' Down the Road for the Red Violin: Trajectory of Canadian Feature Film during the last Forty Years, CZASE conference Diversification and its Discontents, 4.- 6. 2. 2010, Masaryk University Brno
  • Three Canadian Film Auteurs. Masaryk University, November 18, 2009.
  • Canadian Film Institutions and the Production of Canadian Identity. Ege University Izmir, October 28, 2009
  • American Identity: What is it? Paul Haggis' "Crash" and the Crisis of American Multicultural Experience. EAAS conference "'E pluribus unum' or 'E pluribus plura'?". University of Oslo, Norway, May 9. - 12.2008
  • Identity, Liminality and Difference in Mina Shum's "Double Happiness". Conference "Identity Through Art, Thought and the Imaginary in the Canadian Space - Nations, Ethnicities, Groups, Individuals". MU Brno, 25. - 27. 10. 2007
  • The Black Body as a Guinea Pig: The Tuskegee Syphillis Experiment and its Cinematic Representation, NAAS conference "American Bodies, American Violence", Tampere, 25. 5. 2007
  • Hollywood and its Inherent Conformism: The Example of Mike Nichols, konference EAAS, Nikosie, 8.4. 2006
  • The Cult of Cronenberg: A Hunk for Humanities, American Studies Colloquium at UP Olomouc: Cult Fiction, Film and Happenings, September 8, 2005.
  • All those Liberal Messages: Hollywood and the African American Image from World War II through the 1960s, Ostrava University, April 11, 2005.
  • The Alien as a Symbol: Alien Invasion Films and the Politics of the 1950s, Cologne University, Germany, May 25, 2004.
  • Sambo Goes To Hollywood: The Origin of the African American Screen Representation, FSV UK, Prague, April 29, 2004.
  • Spies, Bombers, Liberators and Lovers: The American Image in the Czech Film of the 1990s. Regensburg University, Germany, June 2003
  • The Art of the Hollywood Remake. Thessaloniki University, Greece, May 30, 2002.
  • Making Music as a Political Act: How the Velvet Underground influenced the Velvet Revolution, EAAS Conference, Bordeaux, March 23, 2002.
  • The Good Plantation and After: The Evolution of the African American Screen Image. Regensburg University, Germany, December 3, 2001.
  • Spirituality and Religion in American Film. American Studies Colloquium , Spirituality and Religion in American Culture, Univerzita Palackého Oloumouc, September 8, 2000.
  • Thirteen Ways of Looking at America. (written with T.D. Sparling). EAAS Conference Natures Nation Revisited, Graz, Austria,14. 17. 4. 2000.
  • All the Great Minds in the Little League: American Independent Film of the 1990s. Silezian University of Katowice, December 7, 1998.
  • American Independent Film A Survey. American Studies Colloquium in Olomouc, 1998: Defining American Culture: High, Low, Popular (?), September 3, 1998.
  • The Right Thing and after: The Construction of African American Identity in Recent American Film. EAAS Conference, Lisbon, April 1998.
  • University Studies in a Society in Multiple Transition: The Case of the Czech Republic. Conference Anarchy, Politics and Place in the Academy, University of Southern California, March 1994.
  • Reading American Literature as an Expression of Resistance. A conference on the reception of American literature in the Rockefeller Center, Bellagio, Italy, June 1992.
  • American Studies at Czech Universities. Annual Conference of the Austrian Association for American Studies, Salzburg, Schloss Leopoldskron, November 1991.
Selected Publications
  • POSPÍŠIL, Tomáš. On (Film) Bodies and their Senses : Rereading Two African-American Independent Classics. In EBAAS 2018, 4-7 April, 2018, King's College, University College London, and the British Library. 2018. URL info
  • POSPÍŠIL, Tomáš. Place and Space in The Wire. In Place and Emplacement, 21st International Colloquium of American Studies, Faculty of Arts, Palacký University, June 22–24, 2017, Olomouc. 2017. URL info
  • POSPÍŠIL, Tomáš. We definitely blew it! Dennis Hopper's Easy Rider, Larry Kent's High and the Failure of North American Counterculture. In International conference : The Americas in Canada, 20-21 October 2017, Brno, Masaryk University. 2017. URL info
  • POSPÍŠIL, Tomáš. Women in Crime, Politics and the Law in HBO's The Wire. In European Association for American Studies 2016 Conference : MappingTransnational America, 22.-25. 4. 2016, Constanta, Romania. 2016. URL info
  • POSPÍŠIL, Tomáš. Moravian Americana : A Guided Tour. In International Conference "'So we beat on' : Junctures and Visions of American Studies" 29/30 April 2016, Regensburg, Germany. 2016. URL info
  • POSPÍŠIL, Tomáš. The Role of Personal Situation in the Process of Film Adaptation : Ragtime (1975) by E.L. Doctorow and Ragtime (1981) by Miloš Forman. In Kolinská, Klára, Mingo, Carlos A. Sanz. Read on Screen, Film Adaptation of Literature in English. 1st edition. Praha: Metropolitan University Prague Press, 2015. s. 11-25, 15 s. ISBN 978-80-87956-11-3. info
  • POSPÍŠIL, Tomáš. Who the F... Was I Chasing: The Representation of the other in HBO's The Wire. 2015. info
  • POSPÍŠIL, Tomáš. The Voice of Uncle Sam, the Image of Steve Jobs: The Changing Meaning and Reception of American Media and Cultural Products in the Czech Lands from the 1960s to the Present. 2015. info
  • POSPÍŠIL, Tomáš. The Voice of Uncle Sam, the Image of Steve Jobs : The Changing Meaning and Reception of American Media and Cultural Products in the Czech Lands from the 1960s to the Present. In Decker, Christof, Böger, Astrid. Transnational Mediations: Negotiating Popular Culture between Europe and the United States. 1. Edition. Heidelberg: Winter, 2015. s. 251-265, 15 s. American Studies - A Monograph Series, 261. ISBN 978-3-8253-6370-3. URL info
  • POSPÍŠIL, Tomáš. Brno Studies in English; člen redakční rady. : Brno Studies in English, 2015 - 2015. ISSN 0524-6881. URL info
  • POSPÍŠIL, Tomáš. Workshop 7: And Justice for All: The Representation of American Law and Justice in American Film. 2014. URL info
  • POSPÍŠIL, Tomáš. Trauma "Made in Hollywood": The Representation of Trauma and Healing in Selected Hollywood Films. In Seminaire ERIBIA 2013-2014. 2014. URL info
  • POSPÍŠIL, Tomáš. "Otto, Eliot and Aliens: Interpreting Youth in Spielberg’s E.T. the Extra-Terrestrial and Alex Cox’s Repo Man". Film Journal, London: University College London, 2014, roč. 2, č. 1, s. 1-19. URL info
  • POSPÍŠIL, Tomáš. A View from Elsewhere within Baltimore: the Representation of Urban Spaces in The Wire. In Pohled odjinud, Olomouc, 20.-22. června 2014. 2014. URL info
  • POSPÍŠIL, Tomáš. Brno Studies in English Special Issue - The Five Senses of Canadian Cinema. 1. vyd. Brno: Masarykova Univerzita, 2014. s. 1-155, 155 s. URL info
  • POSPÍŠIL, Tomáš. Reading Oneself Onto the Screen: The Role of Personal Situation in the Process of Adaptation. In Read on Screen: Film Adaptations of Literature in English. 2014. info
  • POSPÍŠIL, Tomáš. Místopředseda oborové komise postgraduálního oboru Literatury v angličtině, 2014. : Oborová komise postgraduálního oboru Literatury v angličtině, 2014. info
  • POSPÍŠIL, Tomáš. Člen oborové rady DSP oboru Anglická a americká literatura Univerzity Palackého, 2014. : Oborová rada DSP oboru Anglická a americká literatura Univerzity Palackého, 2014 - 2014. info
  • POSPÍŠIL, Tomáš. And All the Pieces Matter: HBO'sThe Wire and the Complexity of Representation. In Lecture Series in American Studies - Regensburg University. 2013. info
  • POSPÍŠIL, Tomáš. Člen oborové rady DSP oboru Anglická a americká literatura Univerzity Palackého. Info. : Oborové rada DSP oboru Anglická a americká literatura Univerzity Palackého, 2013. URL info
  • POSPÍŠIL, Tomáš. Místopředseda oborové komise postgraduálního oboru Literatury v angličtině, 2013. : oborová komise postgraduálního oboru Literatury v angličtině, 2013. URL info
  • POSPÍŠIL, Tomáš. The Voice of Uncle Sam, the Image of Steve Jobs: The Changing Meaning and Reception of American Media and Cultural Products in the Czech Lands from 1960s to the Present. In American Media---European Cultures: Negotiations of Transnational Exchange. 2013. info
  • POSPÍŠIL, Tomáš. The Five Senses of Canadian Cinema: Introduction. Brno Studies in English, Brno: Masarykova univerzita, 2013, roč. 39, č. 2, s. 5-13. ISSN 0524-6881. doi:10.5817/BSE2013-2-1. Digitální knihovna FF MU info
  • POSPÍŠIL, Tomáš. As Cripples As It Gets : Dalton Trumbo's Johnny Got His Gun (1939; 1971). Brno Studies in English, Brno: Masarykova univerzita, 2012, roč. 38, č. 1, s. 139-149. ISSN 0524-6881. Digitální knihovna FF MU info
  • POSPÍŠIL, Tomáš. The Man Who Wasn't There? Larry Kent and his Early Vancouver Films. Central European Journal of Canadian Studies, Brno: Masarykova univerzita, 2012, roč. 8, č. 1, s. 77-88. ISSN 1213-7715. info
  • POSPÍŠIL, Tomáš. You Have to Believe This, Simon, Your Father Was a Killer": History, Diversity and Identity in Atom Eoyan’s Recent Works. In konference CEACS Democracy, Diversity, Dignity – The Canadian Space, Bratislava, 12-14 October 2012. 2012. URL info
  • POSPÍŠIL, Tomáš. Technological Intimacy: A Look at Canadian Feature Film. In Cinema of Intimacy and/or the Intimacy of Cinema, 17th Sercia Conference, Dijon, 5-7 September 2012. 2012. URL info
  • POSPÍŠIL, Tomáš. Goin' Down the Road for the Red Violin: A Certain Tendency in Recent Canadian Cinema. Central European Journal of Canadian Studies, Brno: Masaryk University, 2011, roč. 7, č. 1, s. 17-24. ISSN 1213-7715. info
  • POSPÍŠIL, Tomáš. Člen oborové rady DSP oboru Anglická a americká literatura Univerzity Palackého. : oborové rady DSP oboru Anglická a americká literatura Univerzity Palackého, 2011. info
  • POSPÍŠIL, Tomáš. Místopředseda oborové komise postgraduálního oboru Literatury v angličtině. : Oborové komise postgraduálního oboru Literatury v angličtině, FF MU, 2011. info
  • POSPÍŠIL, Tomáš. Going down the Road for the Red Violin: The Trajectory of Canadian Feature Film during the Last Forty Years. In Diversification and its Discontents: Dynamics of the Discipline. 2010. ISBN 978-80-210-5118-8. info
  • POSPÍŠIL, Tomáš. Sebastian M. Herrmann, Katja Kanzler, Anne Koenen, Zoe A. Kusmierz, Leonard Schmieding, eds.,Ambivalent Americanizations Popular and Consumer Culture in Central and Eastern Europe. American Studies - A Monograph Series 165 (Heidelberg: Winter, 2008). Amerikastudien - American Studies, Heidelberg: Universitätsverlag Winter, 2010, roč. 55, č. 2, s. 287-289. ISSN 0340-2827. info
  • POSPÍŠIL, Tomáš. Obraz druhého v kanadském filmu. In MY ONI JÁ. Hledání identity v kanadské literatuře a filmu. 1. vyd. Brno: Host Brno, 2009. s. 251-292, 41 s. Host, 413. ISBN 978-80-7294-306-7. info
  • KYLOUŠEK, Petr. 0. Évidence d'une culture nationale. I. Dimension noétique de l'art. II. Identité canadienne dans le contexte historique. III. Littérature canadienne-francaise et québécoise. VI. Solitudes canadiennes et la perception de l'autre. In Petr Kyloušek, Klára Kolinská, Kateřina Prajznerová, Tomáš Pospíšil, Eva Voldřichová Beránková: Us-Them-Me: The Search for Indentity in Canadian Literature and Film, Nous-Eux-Moi: La quete de l'identité dans la littérature et le cinéma canadiens. 1. vyd. Brno: Masarykova univerzita, 2009. s. 6-11, 24-43, 57-139, 246-255, 129 s. Spisy Masarykovy univerzity v Brně 387. ISBN 978-80-210-5061-7. info
  • POSPÍŠIL, Tomáš. Representation of the Other in Canadian Film. In Us-Them-Me: The Search for Identity in Canadian Literature and Film, Nous-Eux-moi: La quete de l'dentité dans la litterature at le cinéma canadiens. 1. vyd. Brno: Masarykova univerzita, 2009. s. 209-245, 37 s. Spisy Masarykovy univerzity v Brně 387. ISBN 978-80-210-5061-7. info
  • POSPÍŠIL, Tomáš. Mengele in Macon County: The Tuskegee Study and its Film Representation. In André Soares Vieira, Luciana Ferrari Mintemezzo, Vera Lúcia Lenz Vianna. Mediacoes Do Fazer Literario: texto, cultura & sociedade. 1. vyd. Santa Maria: Universitate Federal de Santa Maria, 2009. s. 87-98, 11 s. 1/1. ISBN 978-85-99527-19-1. info
  • POSPÍŠIL, Tomáš. Frictions in the City: Spike Lee's Do the Right Thing vs. Paul Haggis's Crash. Moravian Journal of Literature and Film, Olomouc: Univerzita Palackého, 2009. ISSN 1803-7720. info
  • POSPÍŠIL, Tomáš. Moon Over Harlem: Edgar G. Ulmer, The Race Movies and the New Negro Agenda. Brno Studies in English, Brno: Masarykova Univerzita, 2008, roč. 12/32, č. 1, s. 161-169. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. The Bomb, the Cold War and the Czech Film. Journal of Transatlantic Studies, Abingdon, Oxon: Routledge, 2008, roč. 6, č. 2, s. 142-147. ISSN 1479-4012. info
  • POSPÍŠIL, Tomáš. Identity, Liminality and Difference in Mina Shum's Double Happiness. In Identity through Art, Thougth and the Imaginary in the Canadian Space - Art, pensée et imaginaire identitaire de l'espace canadien. 1. vyd. Brno: Masarykova univerzita, 2008. s. 175-182, 8 s. FF-33/080-02/58. ISBN 978-80-210-4798-3. info
  • POSPÍŠIL, Tomáš. The Cult of Cronenberg - A Hunk for Humanitiies. In Cult Fiction and Cult Film: Multiple Perspectives. 1. vyd. Olomouc: Univerzita Palackého v Olomouci, 2008. s. 167-176, 10 s. 1st edition. ISBN 978-80-244-2126-1. info
  • POSPÍŠIL, Tomáš. Lee D. Baker (Ed.): Life in America: Identity and Everyday Experience. Anthropology, Brno: Anthropos Institut, Moravské muzeum, 2007, XLV, č. 1, s. 103-104. ISSN 0323-1119. info
  • POSPÍŠIL, Tomáš. Sam and Me, Masala and Double Happiness: Multicultural Experience in Canadian Film of the early 1990s. Brno Studies in English, Brno: MU Brno, 2007, roč. 33, č. 1, s. 185-198. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Transatlantické železnice v Severní Americe. Rozrazil, Brno: Větrné mlýny, 2006, roč. 03/2006, č. 03, s. 119-120. ISSN 1801-4755. info
  • POSPÍŠIL, Tomáš. John Bodnar, Blue Collar Hollywood: Liberalism, Democracy, and Working People in American Film. Amerikastudiem, American Studies, Heidelberg: Universitaetsverlag Heideberg, 2006, roč. 51, č. 4, s. 601-603. ISSN 0340-2827. info
  • POSPÍŠIL, Tomáš. Malcolm, Cheryl Alexander; Nyman, Jopi, eds. How far Can You Go: Black Eroticism and Sexuality on American Screens. In Eros.USA: Essays on the Culture and Literature of Desire. 1. vyd. Gnaňsk: Wydawnictwo Iniwerzitetu Gdanskiego, 2005. s. 155-170, 16 s. 1st edition. ISBN 83-7326-282-2. info
  • POSPÍŠIL, Tomáš. Attractive Ambiguities: Epistemological Uncertainty in the Work of David Cronenberg, in: Chovanec, Jan, ed.:Theory and Practice in English Studies, Vol. 4. In Theory and Practice in English Studies. Brno: Masarykova univerzita, 2005. s. 217-223, 7 s. ISBN 80-210-3836-5. info
  • POSPÍŠIL, Tomáš. William F. Cody alias Buffalo Bill - propagátor a tvůrce "divokého západu". Rozrazil, Brno: Vetrné mlýny, Brno, 2005, roč. 00/2005, č. 00. ISSN 1801-4755. info
  • POSPÍŠIL, Tomáš. Christa Buschendorf, ed., Cultural Exchanges between Central/Eastern Europe and America, Proceedings of the East-West American Studies Conf. (ZENAF), 29. May-2 June 2002. Amerikastudien - American Studies, Heidelberg: Universtaetsverlag Heidelberg, 2005, roč. 50, 1/2, s. 275-279. ISSN 0340-2827. info
  • POSPÍŠIL, Tomáš. Spies, Bombers, Liberators and Lovers: Images of Americans in Czech Film. Brno Studies in English, Brno: Masarykova Univerzita, 2005, roč. 11, č. 1, s. 147-155. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Films by David Cronenberg and the Fantastic Postmodern Body, in: Coelsh-Foisner, Franková (eds.). The Human Figure in (Post-)Modern Fantastic Literature and Film. In The Human Figure in (Post-)Modern Fatastic Literature and Film. Brno: Masarykova univerzita, 2004. s. 99-107, 8 s. ISBN 80-210-3550-1. info
  • POSPÍŠIL, Tomáš. Lindon Barrett: Blackness and Value: Seeing Double. Amerikastudien - American Studies, Heidelberg: German Association for American Studies, 2004, roč. 49, č. 1, s. 116-119. info
  • POSPÍŠIL, Tomáš. Barbara Tepa Lupack: Literary Adaptations in Black American Cinema: From Micheaux to Morrison. Barbara Tepa Lupack: Literary Adaptations in Black American Cinema: From Micheau. Amerikastudien American Studies, Heidelberg: German Association for American Studies, 2004, roč. 49, č. 2, s. 268-270. info
  • POSPÍŠIL, Tomáš. Making Music as a Political Act: Or How the Velvet Underground Influenced the Velvet Revolution. In The Cultural Shuttle, The United States of/in Europe. Amsterdam 2004: EAAS, VU University Press, 2004. s. 249-256, 7 s. ISBN 9053839496. info
  • POSPÍŠIL, Tomáš. The Liberal Message Films of the Late 1940s and the Position of African-Americans. Sborník prací Filozofické fakulty brněnské univerzity, Brno Studies in English, 2004: Masarykova univerzita, 2004, roč. 10, č. 1, s. 179-188. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Review: Prem Poddar. Violent Civilities: English, India, Culture. Aarhus UP, 2002. Brno Studies in English, Brno: FF MU Brno, 2004, roč. 10, č. 1, s. 224-225. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Sambo tu již nebydlí? Obraz Afroameričanů v americkém filmu 20. století. 1. vyd. Brno: Nadace Universitas Masarykiana, 2003. 152 s. Edice Heureka. ISBN 80-7204-288-2. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal XXXI - XXXIII. Univerzitní noviny, Brno: Nadace Universitas Masarykiana, 2003, 1-3. info
  • POSPÍŠIL, Tomáš. Spiritualism and Religion in American Film, in: Sweney, Peprník, eds.: Spirituality and Religion in American Culture. In Spiritualism and Religion in American Culture. Olomouc: Univerzita Palackého Olomouc, 2002. s. 133-147, 15 s. ISBN 80-244-0470-2. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal XXVIII - XXX. Univerzitní noviny, Brno: Nadace Universitas Masarykiana, 2002. info
  • POSPÍŠIL, Tomáš. Barbara Goldbergová, Nádherní snílci. Univerzitní noviny, Nadace Universitas Masarykiana, 2002, č. 12. info
  • POSPÍŠIL, Tomáš. Průvodce cestovatele Amerikou; Co všechno potřebuješ znát o americkém životním stylu. Olomouc: Votobia, 2001. 200 s. ISBN 80-7198-467-1. info
  • POSPÍŠIL, Tomáš. The Right Thing and after: The Construction of African American Identity in Recent American Film. Brno, Masarykova univerzita: Brno Studies in English, 2001, roč. 26, s. 101-110. info
  • POSPÍŠIL, Tomáš. Thirteen Ways of Looking at America. Brno Studies in English, Brno: Masarykova univerzita, 2001, roč. 27. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal XVIII - XXVII. Univerzitní noviny, 1 - 12, Brno: Nadace Universitas Masarykiana, 2001. info
  • POSPÍŠIL, Tomáš. Predicting the American Century: a Seminar on Political, Social, and Cultural Issues. EAAS Newsletter, The Eccles Centre, The British Library: European Association for American Studies, 2000, roč. 45, 2000/9. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal, VIII - XVII. Univerzitní noviny, 1-12, Brno: Nadace Universitas Masarykiana, 2000. info
  • POSPÍŠIL, Tomáš. Narrative Cinema as Teachers Pleasure: The Importance of Cinema in the American Studies Classroom. Brno Studies in English, Brno: Masarykova univerzita, 1999, roč. 25. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Turning the Peking Duck into a Big Mac: The Art of the Hollywood Remake (Wings of Desire, City of Angels) in: Kafka, Kolář (eds.). American Studies at the Turn of the Millenium. Ostrava: Univerzita Ostrava, 1999. 8 s. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal, I - VII. Univerzitní noviny, Brno: Nadace Universitas Masarykiana, 1999. info
  • POSPÍŠIL, Tomáš. The Progressive Era In American Historical Fiction: John Dos Passos' The 42nd Parallel and E. L. Doctorow's Ragtime. 1. vyd. Brno: Masarykova univerzita, 1998. 118 s. ISBN 80-210-1748-1. info
  • POSPÍŠIL, Tomáš. Dějiny anglické literatury od počátků do poloviny 17. století, History of English Literature from the Beginning to the Mid-Seventeenth Century. Brno: Masarykova univerzita, 1994. 15 s. info

2014/04/10