Glorious Agfacolor, breathtaking Totalvision and monophonic sound: Colour and "scope" in Czechoslovakia

Authors

BATISTOVÁ Anna

Year of publication 2013
Type Chapter of a book
MU Faculty or unit

Faculty of Arts

Citation
Description Through the tension between proclaimed self-efficiency of Soviet block states in the 1950s and the nature of cinema as an industry dependent on world trade and standardization, this article looks at a particular technology change - adoption of widescreen technology and consequently preference of American-made Eastmancolor negative film stock instead of East-German Agfacolor.
Related projects:

You are running an old browser version. We recommend updating your browser to its latest version.