Konzepte der Musikanalyse in Mitteleuropa : Riemann, Adler, Schenker
| Title in English | Concepts of Musical Analysis in Central Europe : Riemann, Adler, Schenker |
|---|---|
| Authors | |
| Year of publication | 2016 |
| Type | Article in Proceedings |
| Conference | Musicologica Instropolitana |
| MU Faculty or unit | |
| Citation | |
| Field | Art, architecture, cultural heritage |
| Keywords | Musical analysis; Music theory; Hugo Riemann; Guido Adler; Heinrich Schenker |
| Description | The autor outlines basic characteristics of the formation and development of modern music analysis. At the outset he reminds that music analysis emerged as an independent discipline relatively recently. While earlier it was considered a component of compositional theory, it has been acknowledged as an integral part of musicological knowledge an music reception only since the 20th century. Since then, more attention has been given to Hugo Riemann, Guido Adler and Heinrich Schenker. |
| Related projects: |