Teoretické dílo Miloše Wasserbauera v kontextu dobového myšlení o operní inscenační tvorbě

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Title in English Theoretical work of Miloš Wasserbauer in relation to the contemporary thinking about staging opera
Authors

HAVLÍČKOVÁ KYSOVÁ Šárka

Year of publication 2017
Type Article in Periodical
Magazine / Source Theatralia
MU Faculty or unit

Faculty of Arts

Citation
Web Digitální knihovna FF MU
Doi http://dx.doi.org/10.5817/TY2017-2-4
Field Art, architecture, cultural heritage
Keywords Miloš Wasserbauer; Státní divadlo Brno; opera; opera direction; ideology of an operatic piece; the score
Description The study deals with theoretical writings of Miloš Wasserbauer (1907–1970), Czech opera director. Wasserbauer's articles on opera staging were being published in Czech periodicals and programmes to productions he directed mostly in 1950s and 1960s; several texts are extant as manuscripts in his estate kept by the Theatre Department of Moravian Museum, Brno. Based on these materials and print contemporary references to Wasserbauer's productions, the author strives to grasp and analyse his views on staging operatic pieces. Wasserbaure's ideas on the issue are grouped as follows: the score as a departing point for directorial–dramaturgical concept; realism in staging opera; acting as a part of rehearsal process; staging operas by Leoš Janáček.
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