Hudební divadlo Waltera Felsensteina a jeho domácí recepce
| Title in English | Walter Felsenstein's music theatre and his Czech reception |
|---|---|
| Authors | |
| Year of publication | 2018 |
| Type | Article in Periodical |
| Magazine / Source | Musicologica Brunensia |
| MU Faculty or unit | |
| Citation | |
| Web | http://hdl.handle.net/11222.digilib/138326 |
| Doi | http://dx.doi.org/10.5817/MB2018-1-2 |
| Keywords | Walter Felsenstein; Komische Oper Berlin; music theatre; Czech opera theatre; Miloš Wasserbauer |
| Description | The study deals with the Czech reception of Felsenstein's work, which gained from the 50s a priviledged position over the countries of the so-called Eastern Bloc. Summarizing history of the Komische Oper's visiting performances in Prague as well as Felsenstein's attendance in Czechoslovakia, the contribution brings some arguments for Walter Felsenstein's impact on the Czech operatic theatre. This can be primarily seen in the theoretical considerations of the director Miloš Wasserbauer. The study also includes a few examples of Felsenstein's cooperation with some outstanding Czech music artists – conductors as well as singers. |
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