Působení Miloše Wasserbauera ve Slovenském národním divadle v Bratislavě v padesátých letech a na začátku šedesátých let 20. století
| Title in English | Miloš Wasserbauer’s Work at the Slovak National Theatre in the 50s and Early 60s of the 20th Century |
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| Authors | |
| Year of publication | 2018 |
| Type | Article in Periodical |
| Magazine / Source | Slovenské divadlo : revue dramatických umení |
| MU Faculty or unit | |
| Citation | |
| Doi | http://dx.doi.org/10.2478/sd-2018-0022 |
| Keywords | theatre; opera; Slovak National Theatre; Miloš Wasserbauer; nacionalis; Cikker; Suchoň |
| Description | The article examines the work of opera director Miloš Wasserbauer in the 50s and at the beginning of the 60s of the 20th century in the Slovak National Theatre. The staging new Slovak operas Ján Cikker’s Juro Jánošík and Beg Bajazid, and Eugen Suchoň’s Svätopluk are in focus. The author analyses Wasserbauer’s approach to the productions and Slovak staging tradition from the perspective of the Czech director and the critical reflection of the performances. Special attention is paid to the conceptualisation of Slovak national feeling in the corpus of archive materials. |
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