A Scientific Turn in the Genre of How-to Fiction Writing Manuals?
| Authors | |
|---|---|
| Year of publication | 2020 |
| Type | Article in Periodical |
| Magazine / Source | Evolutionary Studies in Imaginative Culture. Symposium on Meaning and Evolution |
| MU Faculty or unit | |
| Citation | |
| Web | |
| Doi | http://dx.doi.org/10.26613/esic.4.1.173 |
| Keywords | how-to screenwriting manuals; screenwriting; biocultural theory; cultural evolution; information processing; attention allocation; theory of mind; story structure |
| Attached files | |
| Description | The last two years have seen the publication of two books in the genre of how-to fiction writing manuals that use science both as a selling point and as a genuine analytical paradigm. The Science of Storytelling by Will Storr and The Science of Screenwriting by Paul Joseph Gulino and Connie Shears use insights from the cognitive sciences and evolutionary psychology, while retaining their practical, how-to character. This review article goes through some of the main clusters of advice shared by the two books, dealing with information processing, attention allocation, the implications of human sociality for fiction, and story structure, while fitting their takes on these issues within the fields of biocultural criticism and cultural evolution. Despite containing occasional flaws and confusions about theory common in pioneering works, these books could be harbingers of change for the genre and an important step in the bottom-up infusion of biocultural theory into literary studies. |
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