Osudy výtvarných umělců za totality jako námět pro performativní umění : Poznámky k proměně vnímání a interpretaci soudobých dějin
| Title in English | Fates of visual artists under totalitarianism as a theme for performative art : Remarks on the change of perception and interpretation of contemporary history |
|---|---|
| Authors | |
| Year of publication | 2021 |
| Type | Article in Proceedings |
| Conference | Město a jeho symboly |
| MU Faculty or unit | |
| Citation | |
| Keywords | performative arts; contemporary history; visual culture; Czechoslovakia; state socialism; Stalin monument |
| Attached files | |
| Description | The study on the case examples of recent opera and theater performances focused on the fate of visual artists in the period of state socialism points to the contribution that performative art can have in shifting the perception and interpretation of burning issues of contemporary history, as well as professional issues pushed into the background in this context and art history. The theme is a reflection on the performance “Monument” premiered by the Brno National Theater in February 2020 and inspired by the fate of the author of the Stalin monument in Prague, Otakar Švec, and the fate of female artists under totalitarianism reflected in October 2020 by the piece “A Short Visit will please” at VILA Štvanice Theater in Prague. |
| Related projects: |