Revize národních mýtů Dušanem D. Pařízkem
| Title in English | Dušan D. Pařízek's revision of national myths |
|---|---|
| Authors | |
| Year of publication | 2021 |
| Type | Article in Periodical |
| Magazine / Source | Theatralia |
| MU Faculty or unit | |
| Citation | |
| Web | http://hdl.handle.net/11222.digilib/144563 |
| Doi | http://dx.doi.org/10.5817/TY2021-2-9 |
| Keywords | Dušan D. Pařízek; Wilhelm Tell; König Ottokars Glück und Ende; Die Hermannsschlacht; national myth |
| Description | The aim of this contribution is to analyse Dušan D. Pařízek's directing method using the following three selected productions: Wilhelm Tell, Schauspielhaus Zürich, Pfauen, 2013; König Ottokars Glück und Ende, Volkstheater Wien, 2019, and Die Hermannsschlacht, Schauspiel Leipzig, 2019. In these productions, Pařízek tries to reconceptualise the existing interpretative and stage tradition of the national myths in the countries of their origin (Switzerland, Austria, and Germany). The author of the article examines Pařízek's interpretative approach, focuses on the dramaturgical adaptation of the texts, scenic concepts, and acting. She furthermore reflects the critical response to the director's work. One of the aims of the article is to view Pařízek's work as appellative and critical towards the current political happenings in Central Europe. |
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