Revize národních mýtů Dušanem D. Pařízkem

Title in English Dušan D. Pařízek's revision of national myths
Authors

MIKULOVÁ Iva

Year of publication 2021
Type Article in Periodical
Magazine / Source Theatralia
MU Faculty or unit

Faculty of Arts

Citation
Web http://hdl.handle.net/11222.digilib/144563
Doi http://dx.doi.org/10.5817/TY2021-2-9
Keywords Dušan D. Pařízek; Wilhelm Tell; König Ottokars Glück und Ende; Die Hermannsschlacht; national myth
Description The aim of this contribution is to analyse Dušan D. Pařízek's directing method using the following three selected productions: Wilhelm Tell, Schauspielhaus Zürich, Pfauen, 2013; König Ottokars Glück und Ende, Volkstheater Wien, 2019, and Die Hermannsschlacht, Schauspiel Leipzig, 2019. In these productions, Pařízek tries to reconceptualise the existing interpretative and stage tradition of the national myths in the countries of their origin (Switzerland, Austria, and Germany). The author of the article examines Pařízek's interpretative approach, focuses on the dramaturgical adaptation of the texts, scenic concepts, and acting. She furthermore reflects the critical response to the director's work. One of the aims of the article is to view Pařízek's work as appellative and critical towards the current political happenings in Central Europe.
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