Tom Stoppard: Shakespeares Gravedigger?

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Authors

PODROUŽKOVÁ Lucie

Year of publication 2005
Type Appeared in Conference without Proceedings
MU Faculty or unit

Faculty of Education

Citation
Description This paper attempts to analyse the ways in which Tom Stoppard works with and reworks the Shakespearean canon, with respect to plays Rosencrantz and Guildenstern Are Dead and Doggs Hamlet, Cahoots Macbeth and the screenplay for Shakespeare in Love.

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