Místo, kde se "protnula všechna vlákna". Vídeň jako tavící kotlík kabinetní malby první poloviny 18. století
| Title in English | The place where "all threads intersect". Vienna as a melting pot of cabinet painting in the first half of the 18th century |
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| Authors | |
| Year of publication | 2023 |
| Type | Appeared in Conference without Proceedings |
| MU Faculty or unit | |
| Citation | ŠTEFAŇÁK, Jiří. Místo, kde se "protnula všechna vlákna". Vídeň jako tavící kotlík kabinetní malby první poloviny 18. století (The place where "all threads intersect". Vienna as a melting pot of cabinet painting in the first half of the 18th century). In Umělec a město, Kroměříž 13.-14.9. 2023. |
| Description | The paper points to the diversity of relationships of Viennese cabinet painters, which have been neglected by the professional literature until now, among which one can name Josef Orient (1677–1747), Christian Hilfgott Brand (1695–1756), Franz Christoph Janneck (1703–1761) or the Olomouc native Karel Josef Aigen ( 1685–1762). Artistic cooperation was manifested both in meetings on the premises of the Vienna Academy of Fine Arts and outside it, as evidenced by mutual participation in the creation of collective works. Beginning small masters, whose residences were often separated by only a few streets, were trained in the workshops of the more experienced ones, and mutual affection often grew into long-lasting friendships or new family ties. Thus, the main intention is to use these examples to demonstrate that in the given context "all threads were crossed" in Vienna. |